What types of colors should I buy?
Full-intensity colors are those that are listed according their placement on the color wheel. Colors that are classified as cool are those closest to blue on the color wheel and those listed as warm are colors closest to red on the color wheel. Marc Sabatella writes on his website, The Outside Shore:
“The decision regarding how many colors to use on your palette is really a choice that is up to you. If you want to be able to mix any color you might possibly need you’ll probably want to use at the ‘very least the three primaries, and many artists prefer having two of each primary - a warmer and cooler variant. Second, you want to make it easy to mix the colors you need most often. For example, a palette consisting of just the primaries may make it possible to mix a believable skin tone, but one that also includes some more subdued “earth tones” might make it easier’” .
|
Color |
Expensive |
Cool |
Warm |
Neutral |
Transparent |
Opaque |
|
Azo yellow |
|
√ |
|
|
|
|
|
Cadmium yellow light/lemon yellow |
Yes |
√ |
|
|
|
√ |
|
Hansa/arylide yellow |
|
|
|
√ |
√ |
|
|
Cadmium yellow medium/deep yellow |
Yes |
|
√ |
|
|
√ |
|
Cadmium orange – opaque |
Yes |
|
√ |
|
|
|
|
Cadmium red light/medium -opaque warm red |
Yes |
|
√ |
|
|
|
|
Naphthol/Pyrrol red |
|
|
√ |
|
√ |
|
|
Alizarin crimson-transparent |
|
√ |
|
|
√ |
|
|
Quinacridone red/rose/violet |
|
√ |
|
|
√ |
|
|
Dioxazine purple |
|
|
|
|
√ |
|
|
Ultramarine/French ultramarine blue |
|
√ |
|
|
√ |
|
|
Cobalt blue |
Yes |
|
|
√ |
√ |
|
|
Phthalo blue (bluish green) |
|
|
|
|
√ |
|
|
Prussian blue |
|
|
|
|
√ |
|
|
Cerulean – light greenish blue |
|
|
|
|
|
√ |
|
Viridian – deep green |
Yes |
√ |
|
|
√ |
|
|
Phthalo green |
|
√ |
|
|
√ |
|
|
Sap Green |
|
|
√ |
|
|
|
Less intense colors - earth tones
|
Naples yellow |
Very light/dull/substitute for white |
|
Yellow ochre |
Dull mustard yellow |
|
Burnet sienna |
Red oxide/reddish brown |
|
Burnt Umber |
Dull brownish gray |
|
Payne’s gray |
Gray from a mixture of pigments |
|
Black |
|
|
White |
Titanium most popular |
It’s best to lay your colors out in a particular order depending on what subject you are painting. If you are a beginner, limiting your palette to the primary colors allows you to learn quickly how color harmonies are achieved because it limits the amount of color harmonies you can produce. However, once you become more advanced, you can add more colors to your palette and experiment with producing better color harmonies.
Price is also a consideration in limiting the number of colors on your palette. Oil paint is costly and certain pigments are more expensive than others are and there are other attributes such as transparency, permanence and quality.
According to Barry John Raybould this is a list of a good basic palette to start you out:
- Titanium white (lots of it - get the big tubes)
- Cerulean Blue (cool blue)
- Ultramarine Blue (warm blue)
- Alizarin Crimson (cool red)
- Cadmium Red Light (warm red)
- Cadmium Yellow Medium (warm yellow)
- Cadmium Yellow Light (cool yellow)
- Yellow Ochre (light earth tone)
- Raw Umber or Raw Sienna (dark earth tone)
- Mars Black
Robert Gamblin writes in his newsletter, Gamblin Artist Colors defines a limited palette as:
“one that reaches as much of color space as possible with as few colors as possible” which usually can be done with five or six colors. One painter might lay down an imprimatura of transparent earth color then build paintings using direct painting technique” which gives a 19th centuary Romanticism look. Another painter might build paintings with pure colors and tints to make a jarring, noisy surface” then use a glaze mixed to evoke an emotional sensation, the painter can unify and soften the surface.”
The choice is really up to each individual artist. Each will “see” their combinations differently than another artist.